Collegium Helveticum
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Workshop

Colors of (Colonial) Chemistry
Dye, Photography, and Architecture

Details

This is a public event. Participation is free of charge and no registration is needed.

The event is followed by a small reception and the exhibition opening “Colors of (Colonial) Chemistry.”

This interdisciplinary workshop convenes researchers and artists to explore methodologies of material culture in writing and reading histories. Inspired by “Colors of (Colonial) Chemistry,” a research exhibition by Denise Bertschi at the Collegium Helveticum, the event investigates matter as mediators to navigate transregional histories–entangling plants, lands, and (non-)human actors.

Organized into three thematic sessions, the symposium examines the role of organic and inorganic chemicals in relation to:

  • Dye wood chemistry, printed textiles, and commodification
  • Photography chemistry, resource extraction, and image production
  • Chemicals as agents of aestheticization, conservation, and memory

By foregrounding materialities and their visual histories, the symposium sheds light on the often violent and toxic past of matter transformed into commodities. It invites critical reflection on how chemical substances as hybrid objects have shaped colonial industrialization, scientific epistemologies, and cultural and national imaginaries.

Uniting perspectives from art, architecture, and economic history, the symposium critically engages with the colonial legacies embedded in the transformation of land, the structuring of knowledge systems, and their lasting impact on the natural and built environment.

Range of targeted audience: 
This symposium welcomes historians, architects, curators, archivists, artists, students, independent researchers, and anyone with an interest in arts and culture.

Program

10:00

Coffee & arriving to the venue

10:15

Opening remarks

By Denise Bertschi and the Collegium’s directorate

10:30

Colors of (Colonial) Chemistry
Guided exhibition tour by Denise Bertschi

11:00

Chemicals, Woods, & Textiles
Session 1

Substances of Colonization
Rainforest Commodities in the Age of Chemistry

David Pretel
Universidad AutĂłnoma de Madrid, ES

TBC

Hannah Baader
Kunsthistorisches Institut Florenz, IT
& Stiftung PreuĂźischer Kulturbesitz Berlin, DE

Bon Teint
On Colorfastness and the Social Life of Printed Textiles

Chonja Lee
Université de Neuchâtel, CH

12:30

Lunch break

14:00

Chemicals, Aesthetics, & Materiality
Session 2

World White Waste
Displaying an Unsettling Pigment

Ingrid Halland
Aarhus University, DK

Toxic Gifts
The Gift Exercise / Invitation 8: Nitrogen

Willimann/Arai
Artist duo, based in Zurich and Tokyo (CH/JP)

Experiments in Conservation

Hanna B. Hölling (virtual)
HKB Bern Academy of the Arts, CH
& University College London, UK

15:30

Coffee break

15:40

Chemicals, Photography, & Extractivism
Session 3

Copper, Gold and Silver as Photographic Materials and Their Ecological Footprint

Esther Ruelfs
Museum of Art and Design Hamburg, DE

Unknown Author, Known Landscape
Power and Photographic Trade in a Lost Panorama of Salvador, Bahia

Julieta Pestarino
Getty Museum Los Angeles, US

16:45

Closing remarks

18:00

Colors of (Colonial) Chemistry
Exhibition opening

Accompanied by a reception

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